We will be using the triadic color wheel from the Color Wheel Company to illustrate color relationships. a good resource is the book, Color is Everything, by Dan Bartges, a book with thorough descriptions of this tool (I will have it in the workshop for you to peruse). Triadic Color Wheel from the Color Wheel Company: Study of the Triadic Color Wheel. The color wheel provides 12 hues around the circle on each side On the one side we can see the effects of mixing red, yellow and blue and white and black with each of the 12 hues by rotating the wheel. This side also has a value scale that can be matched up with each of the hues to identify the value of each hue. The second side shows the tint, tone and shade for each of the hues. Directions are provided for determining analogous colors, complementaries , split complements, triads and tetrads. We will be discussing these at length. For a preliminary website link with definitions see: http://www.tige...
A Brief Presentation of Several Compositional Armatures Rule of Thirds PHI Grid Golden Triangle Dynamic Symmetry Expanded Dynamic Symmetry Harmonic Armature Fibonacci Spiral Vanishing Point Grid Informal Subdivision Golden Mean "Caliper" System Orthogons Divisions into Fifths (Kimberly Elam) Introduction As a Mathematician, I have become intrigued with several Armatures used by current and historic artists. In this post I have applied the armatures to several historic paintings. I wanted to analyze the armatures further. Which ones seem most helpful? I have tried to choose examples by artists that consciously utilized the given armatures. I may use one example for now, but have to select the most appropriate for this analysis. Many historic paintings have used a complex design scheme consisting of more than one armature, but I will begin with a simple armature. But for example some classical works were based on combinations of Root 2, Root 5 and Golden Spiral armatures. We ...
Albert Handell Intuitive Composition Part II Armatures applied to additional paintings chosen from the 1988 Albert Handell book, Intuitive Composition . I am very excited to share with you some information I have gathered from Albert’s book, Intuitive Composition . As I continue to re-read the book, I see references to composition principles, many which seem to be based on Mathematics or Geometry sometimes found in Dynamic Symmetry (at least from my point of view). I have selected paintings from the second part of his book that have descriptions that emphasize compositional elements that are worth analyzing from the point of view of Dynamic Symmetry. The comments reveal to me a deep interest in many of the aspects of Dynamic Symmetry. I have quoted some of the descriptions and applied armatures to the paintings for further analysis. There is much more in this book and I highly recommend it. The assumption of Intuitive Comp...