Chromatic Lands I Analysis

 


Chromatic Lands I

Chromatic Lands I is a favorite painting due to its range of colors and its textures.  I will probably try to reproduce this painting in different formats or larger. In this case, I feel that the top hill is too centered. I do like the way that the darker ‘path’ is an s-shape leading to this cliff in the distance. So, I intend to move the cliff to the right.  I used photoshop to do this and to experiment with a 'golden rectangle'.  

First, I opened this image in photoshop and layered a PHI grid on top, moving it around until the top cliff fell at the golden 'point':

I then cropped the jpeg image with and without the armature:





Does this format look better with the cliff more toward the right?  It's different and worth a try. In this case though, I think I should keep more of the colorful foreground. And have the 'path' start at the lower left as is does in the 5:4 version.  

But starting again with the 5:4 version, I decided to use Photo Shop's clone tool to move the cliff down and to the right so that it would be at the intersection of the 'baroque' diagonal and its right-hand reciprocal.


I continued to this point:


Is this better than the original with the cliff to the right and down a little? The sky seems to be around 33% of the whole, which is reasonable.

But perhaps a PHI shape would be good after all, a 'Golden Rectangle'.

An easy experiment would be to change the proportion and then apply the PHI Armature in the simpler Preview app. Then the dimensions would be more like 8x13 or 6 to 10 than 8x10. 



I like keeping the whole foreground here but feel the top cliff should be moved to the right while using this Golden  proportion. So back to the Photo Shop Clone tool for this PHI version:







I wish I had a large printer; then I could print an 8x13 and frame it.  Well I could try a 6x10, but I don't have a 6x10 frame,

Here's a photoshopped PHI version with a made-up black with gold frame. (I wish the frame shop had a tool that we could use to experiment with frames).












Popular posts from this blog

Color Wheel Revisited

Image
We will be using the triadic color wheel from the Color Wheel Company to illustrate color relationships. a good resource is the book, Color is Everything, by Dan Bartges, a book with thorough descriptions of this tool (I will have it in the workshop for you to peruse).  Triadic Color Wheel from the Color Wheel Company: Study of the Triadic Color Wheel. The color wheel provides 12 hues around the circle on each side  On the one side we can see the effects of mixing red, yellow and blue and white and black with each of the 12 hues by rotating the wheel. This side also has a value scale that can be matched up with each of the hues to identify the value of each hue. The second side shows the tint, tone and shade for each of the hues. Directions are provided for determining analogous colors, complementaries , split complements, triads and tetrads. We will be discussing these at length. For a preliminary website link with definitions see:  http://www.tigercolor.com/col
Read more

(extra) Color Palette Examples

Image
==================================== Limited palette of Don Finkeldei: www.finkeldeistudio.com. I have studied with Don and used his method extensively. He has many articles on the topic that are well worth reading and re-reading. His color charts, are quite useful and found in a new article on the website. His color palette consists of the Utrecht Artist Oils: cadmium yellow light, cadmium red light, ultramarine blue plus white, as well as alizarin crimson and viridian for transparent darks and sometimes the convenience color, cadmium orange.  He creates a few values of greys from a dark formed by the yellow, red and blue to be used in the mixing.  He also uses his AC/V transparent dark for accents. He pre-mixes his colors on the palette. ==================================== String Palette: I would like to include some material here on the palette of strings based on the Munsell theory, that formed my very first palette for oil painting. My instructor was the artist, Kei
Read more

(extra) Color Mixing on the web with online Apps with RGB and CMYK

Image
May begin color mixing by studying color pickers provided by on-line tools. These are based on the RGB color wheel for web development, with its additive nature.   So first, an explanation of the RGB colors on the color wheel. We will see the representation of the R, G, B hues as 'hexadecimal'; e.g., red is #FF0000, where the FF masks the red perfectly and 00 masks the green and blue perfectly, but you will notice that the third hue in these tertiaries are masked with 7F. Binary numbers are 0's and 1's; 7 = 0111 in binary; F = 1111 in binary, so we see 0, 7 and F here. White would be FFFFF a perfect mix of R, G and B, while Black is 000000, a complete absence of an R, G or B. Yellow, magenta and cyan are complements of blue, green and red in this scheme.  In fact the hexadecimal notation for these complements has '1's in place of '0' and vice versa for the primaries and secondaries.  The tertiaries are aligned somewhat differently., with 7F m
Read more