We will be using the triadic color wheel from the Color Wheel Company to illustrate color relationships. a good resource is the book, Color is Everything, by Dan Bartges, a book with thorough descriptions of this tool (I will have it in the workshop for you to peruse). Triadic Color Wheel from the Color Wheel Company: Study of the Triadic Color Wheel. The color wheel provides 12 hues around the circle on each side On the one side we can see the effects of mixing red, yellow and blue and white and black with each of the 12 hues by rotating the wheel. This side also has a value scale that can be matched up with each of the hues to identify the value of each hue. The second side shows the tint, tone and shade for each of the hues. Directions are provided for determining analogous colors, complementaries , split complements, triads and tetrads. We will be discussing these at length. For a preliminary website link with definitions see: http://www.tige...
A Brief Presentation of Several Compositional Armatures Rule of Thirds PHI Grid Golden Triangle Dynamic Symmetry Expanded Dynamic Symmetry Harmonic Armature Fibonacci Spiral Vanishing Point Grid Informal Subdivision Golden Mean "Caliper" System Orthogons Divisions into Fifths (Kimberly Elam) Introduction As a Mathematician, I have become intrigued with several Armatures used by current and historic artists. In this post I have applied the armatures to several historic paintings. I wanted to analyze the armatures further. Which ones seem most helpful? I have tried to choose examples by artists that consciously utilized the given armatures. I may use one example for now, but have to select the most appropriate for this analysis. Many historic paintings have used a complex design scheme consisting of more than one armature, but I will begin with a simple armature. But for example some classical works were based on combinations of Root 2, Root 5 and Golden Spiral armatures. We ...
Harmonic Armature Basic Dynamic Symmetry Armature Expanded Dynamic Symmetry Armature As I dig deeper into the Dynamic Symmetry Armature I am drawn toward a simpler armature: Harmonic Armature. I studied it early on and liked it but the more mathematical nature of the Dynamic Symmetry grid appealed to me. But for the purposes of demonstrating how one can use an armature to help in one's composition, I appreciate how most non-mathematician artists would prefer to keep it simple, while still adhering to mathematical principles found in the design of nature and art. The complication for the Dynamic Symmetry Armatures is that each one is different depending on the aspect ratio; the reciprocals must be perpendicular to the main diagonals. In the Harmonic Armature the angles between the lines or diagonals are different for each panel proportion, but in fact the divisions are the same (which we will show); four of the intersections are always at the third marks, for example...